In ‘Othello,’ Denzel Washington and Jake Gyllenhaal Are Prey and Predator

Shakespeare’s leanest tragedy gets a starry, headlong production that embraces the action but misses the mystery. from NYT > Movies h...

The Brooklyn Academy of Music Is Fighting to Regain its Mojo

America’s oldest performing arts venue does not draw the attention or audiences it once did. Now it has lost another leader as it works to...

Inside the Controversy Surrounding Disney’s ‘Snow White’ Remake

The dwarfs. The casting. The politics of the lead actress. And that wig! Is Disney’s live-action remake of the classic film doomed by cult...

Five Action Movies to Stream Now

This month’s picks include dead-serious assassins, replicant Keystone Kops, long-simmering revenge and more than one variety of stuffed be...

In Wes Anderson’s World, It’s All About the Details

A museum exhibition shows how thousands of small decisions add up to make the director’s signature style. from NYT > Movies https://i...

How ‘Severance’ Uses Old Tricks to Make Its Office Hell

Clocks, elevators and cubicles become dystopian signifiers in the television show, which invokes and inverts workplace cinema. from NYT ...

‘O’Dessa’ Review: One Song to Rule Them All

Sadie Sink (“Stranger Things”) rules this postapocalyptic musical with a guitar and an attitude. from NYT > Movies https://ift.tt/m0x...