‘Beatles ’64’ Review: They Wanted to Hold Their Hands

This documentary, directed by David Tedeschi, comes up with a solid compendium of the band’s arcana from their first trip to the United St...

‘Queer’ Review: The Seductive, Damaged Charm of Daniel Craig

The star kills off his Bond to inhabit a dissolute American expat in Luca Guadagnino’s handsome adaptation of the William S. Burroughs nov...

Jim Abrahams, 80, Dies; One of Trio Behind ‘Airplane!’ and ‘Naked Gun’

Along with David and Jerry Zucker, he revolutionized film comedy with a style of straight-faced, fast-paced parody. from NYT > Movies...

How ‘September 5’ Recreates a Historic News Broadcast

The drama chronicles the 1972 Munich Olympics attack from ABC Sports’ point of view, a perspective that resonates today. But the film arri...

‘Wicked’ and the Merchandising Juggernaut That Eclipses ‘Barbie’

The new movie’s tie-ins are the logical endpoint for a Broadway show that always intended to be huge. from NYT > Movies https://ift.t...

Review: ‘We Are Your Robots,’ Still Tuning Up

In Ethan Lipton’s musings on A.I., Mozart has a place alongside humpback whales. from NYT > Movies https://ift.tt/ERrho0e via Tamilr...

Should I Sit Through the Movie’s Closing Credits?

The film has ended, but the names of the many people who worked on it are rolling across the screen. Do you stick around? from NYT > ...